Sunday, November 14, 2010

How to stop breathing for three minutes.

The winner of the most recent three minute fiction contest on NPR, "Roosts" was read on the radio today and woke me up. I find that all I want to do now is write. Tortoise forgive me for neglecting you so.

Background info: The rules were that the story should be able to be read in under three minutes and that the first sentence be "Some people swore the house was haunted" and the last sentence be "nothing was ever the same after that".






Roosts


Some people swore that the house was haunted. Almost every day for three weeks, we'd find a dead one inside of it.

Bill wanted to chop it down, but Mother said no. "They need somewhere safe to die. Someplace warm and maybe a little dry. It stays."

The first one we found was a hoot owl. It lay inside the painted blue plywood walls, its face pressed firmly into the floor like it had been dropped from some great height.

Bill buried it behind his woodshed and we all said grace.

That night I saw the owl on a branch outside of my window. It was pale white and almost completely see-through like milk in an owl-shaped glass. It shifted from leg to leg and kept looking over its shoulder. I couldn't see what it was looking for. It was cloudy and the woods were dark.

The next one was a falcon of some kind. Shelby pulled an old bird book from the shelf and we all watched as he turned the pages until we found it.

"Peregrine," he said softly and looked up.

Bill looked closer. That bird shouldn't be around here.

We buried it and said grace, and that night it was on the branch outside of my window. The owl shifted and the falcon ruffled its feathers.

The next day we found three mockingbirds, and that night they were all there on the branch, facing my window.

"Shelby, come see." Shelby woke up, bleary, and blinked against the windowpane. "Trees," he said.

I looked, but the white birds were there. They were shining like moons and the dead leaves curled away from them.

We found a blue jay and a red-tailed hawk. We found a wood thrush, a scarlet tanger and an ovenbird.

We started throwing them in the creek. "Not too close," Bill said. "You don't want to get that stuff on you."

One night I found Bill sitting far away in the truck.

"Why are those birds coming here to die?" I asked. He looked at the keys in his hand and then looked at me.

"Here's as good a place as any. Maybe there's nowhere else to go."

Everyone stopped going out the birdhouse. Shelby would wait by the bird book and solemnly flip the pages for me until we found the right one.

The nightingale was the last one I found. I held it in my hand even though I knew it was poison. It was stiff, but the feathers felt soft and I stood there a while and stroked it. After I threw it in the creek, I turned and saw Mother watching me from the kitchen.

That night, I watched the birds in the trees shifting uncomfortably. As they moved, they left behind faint after-images and the trees flickered with them like Christmas ornaments.

When the peacock arrived, I knew it was the last time I would see them. It was magnificent. It glowed brighter than all the birds, and its tail feathers were as white and pure as flour. They strobed with electricity as it walked solemnly into the clearing by the blue birdhouse.

They lifted, one by one, from the branches and slowly circled overhead. I looked over to where Shelby was sleeping. Pale shadows flickered on the wall.

They circled through the trees like constellations. I wondered for a second if I would be lifted up with them and carried off into the woods. But I stayed.

Then they were gone and nothing was ever the same again after that.

Wednesday, November 10, 2010

Data Architecture for Verbal Analogues

The Thinkmap Visual Thesaurus is another thing that makes me wish I had programming know-how to use my information design skills in user-interface stuff. This is a fantastic tool for anyone who is a visual learner with a thing for verbal patterns (i.e., me). Hello, creative tool.


Wednesday, November 3, 2010

Inspiration: Minimalist Wikipedia Banner

I looked something up on Wikipedia today only to be immediately confronted with a Wiki rarity: a banner ad. Oddly enough, it wasn't intrusive. In fact, it's well designed, maddeningly so considering how little work probably went into it. Granted Helvetica font face promotes itself, being one of the easiest faces ever to read and utilize. Even so, the colorful photo with the grizzled looking mug just got my attention without revolting it away again the way most banners do. There is something to be said for the way the text runs left to right, terminating in Wales's name and pointing the viewer's eye right to his plaintive yet confident expression in what looks like an innovative working environment, albeit of nebulous nature.

The point of the banner is to drum up donations to support the unwieldy user-supported behemoth Wikipedia, founded by Jimmy Wales.

I've mentioned before that I love bands like Spoon, who use minimalism to great effect in their particular creative discipline. I will try to share more examples of "less is more" in the future. That phrase, as an ethic and aesthetic, greatly accounts for the poignance of some of my favorite art, and motivates some of my own work as well.

Tuesday, November 2, 2010

Inspiration: David Airey's Subscription List

I have been drumming up creative energy for the last couple of weeks, and I have some things I will share soon.

In the meantime, however, I found myself caught in a Twitter riptide today (something that never happens to me, as I am a rather careful swimmer). After clicking, madly and mindless, to follow about eight or twelve different graphic designers' Twitter accounts, I happened across this little gem of a link.

He may have ended his entry title with a preposition, but I am not complaining. I could spend weeks compiling inspiring graphic design portfolios and sites, without achieving this. Good eye David Airey shares his graphic design blog bookmarks.

davidairey.com/design-blogs/

It's not all up my alley. But then, what is?

Tuesday, October 26, 2010

Thoughts on a current state of being:

A combination of weakness and cowardice keeps my jaws clenched and my fists balled up by my sides. Anger rises 'til the face I try to keep calm turns beet-red and I take deep breaths that escape me again as defeated sighs. I continue hoping that things will change for the better but the hole only seems to go deeper. Kierkegaard said, "He who will only hope is cowardly." This statement suggests that I am cowardly and I am in no way in disagreement with such a suggestion. All the hoping done yields no worthy results and every word muttered contemptupusly under my breath hurts nobody but myself and my relationship with God. The hope is a placeholder for the action demanded for true growth. Progression is the acceptance of the current state of things and the ability to understand that faithless prayers and time ill-spent hinder forward motion.

Since it is all in God's hands (which I understand to be undisputed truth) then one should always be seeking truth and improvement through the implementation of healthy habits and non-destructive activity; all of which we should thank Him for and rejoice in the blessing of repetition that brings us nearer to an ultimate truth and and undying love in Christ.

[note: All of the above is directly copied from a journal entry made immediately after reading a section of Repetition by Constantine Constantus, otherwise known as Soren Kierkegaard. The vaguebit about repetition in the final line is, of course, referential to this book.]

Wednesday, August 25, 2010

That gate was meant to protect...


We bring her to a new house with new corners to explore and a whole pile of boxes perfect for hiding and a rug rolled tight into a tunnel for ambushes and sneak attacks, and all Vesper wants is to jump the low fence into the kitchen, where appliances hide death motors on their dark undersides.

All she saw was the dark coolness calling her, a sort of tunnel her instincts told her to seek out. I saw the motors, the fan blades.

I spent all evening near the fence, pulling her down time and time again, a short-term solution to a long-term problem. I tried distraction; I tried scolding. But the only place she wanted to be was the one place I said she couldn’t go.

My husband said he thought animals must have sin natures, just like us.

And standing there against the wall, watching her obstinate attempts to cross to a place where I knew injury or death was waiting, I thought of all the times I blindly flung myself against a closed door to get something I was convinced I needed.

And I wondered what was on the other side that I couldn’t see; and what dangers lurked in the shadows of what I thought was good.

“Do not be like the horse or like the mule, which have no understanding, which must be harnessed with bit and bridle, else they will not come near you,” the psalmist writes.

Or like a ferret, also without understanding, who runs headlong into death.

Sometimes God puts obstacles in our paths to grow our strength, so that in fighting through them we become stronger, more battle-ready.

Other times it’s a closed gate to separate us from disaster.

I just hope I’m in tune enough with Him to know the difference. And that he keeps pulling me down from the fence when I get too close to the edge.

Monday, July 19, 2010

My Business Papers

I separate the discipline of writing, and the art of writing, and I set them like two irons out to the horizon, to the inconvenient northerly direction of colder moneys. It's been a while since it was my job to write at work, but I find myself again pondering the keys as my fingers linger over their printed plastic concavities. Clicketty-clacketty, the keyboard goes, and I am a train running over the rails. Not one, single, wooden railroad tie is important in itself. Or perhaps each is, but I pass them, take them for granted.

This is business writing; I make business papers. I leave nothing to the imagination. I run everything firmly along the bolted ground. Are these clicking letters noteworthy? Why do I line up these words, like miles behind me, in neatness, in rows, toward a distinct end? They don't make someone think; the thoughts are all had. They can make someone notice but can't make them see. The information is placed here, to go directly there, without mystery.

Is this my creative time, when my words may go where they will go? No. Will more destinations be opened up to the mind than the number of places I am refusing to let it go? No. This is the time when I must write linear thoughts into rectangular formats, bolding the main words, and adding the figures together, till there's nothing left to be thought about, on the subject, no hope but to change the subject to something entirely more interesting.

It takes all the art I can muster not to create - not feel around for inspirations - not grow, not change. Stick to the rails,

clicketty-clack, click-clack,

for the rails go only one

(click-clack)

direction, only one

(click-clack-click) place.

Clicketty-clack, click-clack, click-clack,

and that's my reader's destination,

click-clack, click-clack,

and I will put him to sleep with the swaying (click-clack) of the rectangular four-walled boxcar, with its right-angled, locked doors, and its dusty, uniform furniture.

When my passenger wakes he will wish to step down to the platform and stretch his legs, and thank the sky and the air for still being merely there in every explorable direction. He will want to do anything but ride on a rail. He will seek any activity but reading.

But till said arrival, necessarily, I will clicketty-clacketty-clickingly tick out and away to the hard iron skyline of my business papers.