Wednesday, May 26, 2010
from ali : grabbing the light
We are carving out a corner in this forgotten jumble of scrub and cement: brined in sweat and sun, the ant-infested red earth streaking clothes and arms, hands and knees bug-bitten and shovel-blistered. I haul small slabs of asphalt and stone, building a wall at the open mouth of the rocketship pizza kiln to protect the dry thicket beyond, Ryan simultaneously shearing through its most obtrusive bulk by machete. We make it safe, mostly, so steady flames fill the kiln with heat and smoke but only a few slight sparks loop their way beyond its yawn. Ryan disappears in search of food - left alone, I eye night creeping closer on the firelight's failing circle, grabbing the machete to hunt out more kindling, stripping small branches and cracking thick pieces, darting a hand into the fire to stir up its embers and reassemble long logs that halved in the heat like a broken bridge. Proudly observing my handiwork, when he returns with meat, oranges, a jug of water - we squat on our haunches facing the smaller end of the kiln, turning the bratwurst-heavy spokes and watching them fester to final perfection, wiping the after-grease off on pants or just licking fingers clean.
Sated and rested, so over the potholes and out to the dock, a terrified tentative examination of the lurking nighttime lake. The first jump - Ryan - now bobbing in the black water, yelling urgently for me to follow so he's not a lone target, I strip off my boots and make a leap for it, splitting again the shocked calm that's shaking itself awake, now both of us striking out in shoddy speed for the barely discernible center dock. A perspective shift on people when the cluster of high school boys, obnoxious by daylight, show up as gladly welcome company in the night, fellow and further barrier of humanity against the water's stretch. Pale-legged floating beneath the wood through India ink pools and wan moonlit puddles, head craning back at the sky through the dock's gap-toothed grin, stretching my hands upward to grip its slats with my body struggling graceless but stubborn behind.
We part ways with the usual namaste, and me back to my snug little house, the lovely full relaxation of a swim-spent body and wet hair in loose dry clothes, drinking hot tea with milk and honey, carefully consuming Naguib Mahfouz's sparse Egyptian story and nag champa's blanket heavy scent. Some humming barefoot housecleaning alongside the washer's throaty murmur, then a gradual drift to sleep, loving my life & youth.
Wednesday, May 19, 2010
The Eye of Naturalism
As night approaches, lights, like a luminous forest spring up among the shadows till, between the dark arms of the surrounding hills an illuminating river runs from some hidden source to the edge of the Mediterranean. There, the void of thoughtless infinity begins. On land, the last holdout of day stands, against all odds, to face the force of all-embracing night. Distinct, a million pin-point lights combine to fight reality. Then, as if subdued by an unseen hand, the lights go out. One by one, thousand by thousand, a chilling wind lays to rest all human breath. Alone, travelers pour along the roadways in a restless consciousness that, albeit unwillingly, remains to defy the call of mother nature. Passing -- ever passing -- soon they are gone. The night is cold. Above all else, the cynic's question resonates throughout the emptiness of time: "what is truth?"
Thursday, May 6, 2010
Dromophilia (Love for the Road)
a strap casually hung over her spring green sundress, I-880 north.
Her hips and soft elbows rise on both sides,
And each bright white cloudlet is her whisped, loving sigh.
John Ballard 4/29/10
{ ed. note }
I originally wrote this spontaneously last Thursday while driving I880 N toward Sacramento. Downside of that is that I had to try to funnel my inspiration into a text message, while driving, that I intended to save as a draft. Carefully I word-smithed, with one thumb, glancing down frantically every half-mile, and pressed "Save as draft." My phone replied "Draft Box Full" and my poem was gone. I tried to recreate the moment through dictation, as a sound file on my phone, which was a terrible failure. I am afraid I am not a fan of my own speaking voice. So in truth this is a rewrite, not the original. But it is very, very close, and the differences are more in the articles and conjunctions than the adjectives, verbs or nouns, which my memory preserved nicely for me. So much to say, the spirit of the moment remains intact. It was one of the most beautiful days I have ever seen. Old friend Mr. Paul B.D. McNiel was my Sacramento airport arrival, and can corroborate the previous statement. ~J.G.B.