Wednesday, July 14, 2010

The Baker Hotel

On July 4th, Taylor, Ryan and Ali broke into the condemned
Baker Hotel in Mineral Wells, Texas.

The following was inspired.




Mistress
taylor


Fingertips placed gingerly on the rim of his glass he looked up at the bartender who appeared as formal as his freshly pressed tuxedo. He imagined that his head would topple off were he to loosen the bow tie for him. He took a final, deep swallow of the whiskey sour. Nodding once when the bartender glanced his way he stood, turned with an over pronounced elegance, and made for the ballroom. He spotted her across the vastness of the room. She felt his eyes on her but would not meet what she knew all to well to be his solemn gaze; a gaze lacking invitation, deep wells of regret hidden behind a stern grey assurance. Regaining his composure, slackening the tightness he felt at the temples, he crossed the luxurious Oriental rug with an air of royalty. He brushed past her without a word or side glance and approached the lobby's front counter.


"I'll have a room for the night," he said in a rich, careless monotone to the clerk who promptly presented him with the correct key in a correct manner of submissiveness.

She was waiting in the elevator when he stepped into the compartment, languidly dangling a cigarette from her thin fingers.

The operator, in a cracked voice, asked, "Which floor sir?"

Her limpid eyes locked on the key in his hand for a moment and then onto the elevator attendant.

"Seven," she answered for him.

Her voice contained a hint of laughter, was so smooth and sweet that the operator almost overlooked the mocking sneer that played on her lips briefly. Theodore looked at the key in his hand and back to the numbers changing above the sliding doors as they slid quietly past the five floors that separated the lobby from the room. As the lavish compartment shuddered to a halt the young man announced the seventh floor and prompted the shining doors to open with a few well rehearsed flicks of his wrist. Theodore exited first, tucking a crisp, rather large bill in the pale-faced operator's front shirt pocket. She snickered softly under her breath at the tip as she crossed the threshold onto the rich carpet of the hallway. Theodore trembled with an anger absent in his face's unshakable demeanor and marched with military formality towards the room at the far South East wing of the building, his building. At the door he turned to face her for the first time. She smiled and took her own key from her handbag. With apparent fatigue he followed her into the room, modest in size but exquisite in its decor. He sank into a rocking chair of glossy oak and plush brown upholstery. From the side table he lifted his reading glasses and a newspaper.

She cleared her throat and lit one of the cigarettes she kept in the drawer of the nightstand. Refocusing strained attention from the column he had been pretending to read, his gaze fell on her leaning back on her palms, her fingertips pointing away from her, the cigarette dangling from the permanent smirk she wore when they were alone. She crossed her legs and assumed a sloppy pose made enticing only by the cut of the black dress she wore with absolute confidence.

"Why do you keep this up Teddy?"

"I couldn't tell you really. I've been made a fool and I've been controlled. Truth be told I loathe you. You make my skin crawl. The air is thick with some sort of evil when you're around and though I cannot for the life of me reconcile the wrong done when I'm with you there's some latent terror of what would happen if I broke it off and sent you packing."

The corners of her mouth turned sharply upward into a smile that revealed both her overly white teeth and her malicious intent.

"I've broken you. One day everyone will know that you gave to my every whim. They'll know that I owned you."

She rose quietly with unmatched grace from the bed and seemed to glide to him.

"Mr. Kennedy is even lovelier in person than on the television. Don't you think so?," she asked returning to her innocent tone, and settled into his lap.

He cringed as she kissed his temple, her lips brushing against the frames of his glasses. She removed the spectacles, taking note of the lipstick smudged on the arm, and proceeded to set them softly onto the side table as she leaned forward to lie her head on his shoulder. She felt him quiver with unease and smiled inwardly at her ability to make him do so.

"Get out," he said suddenly, "it's done."

He pushed her off his lap and stood straight with newfound courage. The part of him she believed to be broken stood snarling before her and she knew that very moment that she loved him this way. When he stood for something he was a god. When he approached life like he approached business, with a raw masculine ferocity that swallowed up any pretense of calm and the storm began in his eyes, he was the image of Ares before trembling masses. He was rigid with decision and his eyes were merciless. She tried once to meet his contemptuous gaze with a submissive glance but found that she was in fact broken despite her best efforts. Rising to her feet with all the dignity she could muster she said goodbye and leaned in to kiss him. Theodore side-stepped her attempt and strode to the door, swinging it open.

"Get out. Now."

She, without gathering her belongings, walked, crestfallen, through the door and faced him for the last time as he slammed the heavy oak panel in her face. Shame and fear washed over her as she stepped back onto the elevator.

"To the roof please Jim," she nearly whispered to the operator.

"Here you are ma'am."

She quickly and quietly removed her earrings, a gift from Theodore, and slipped them into Jim's front pocket with Teddy's tip. As she stepped off the elevator crisp air hit her face, streaming with tears, and she wept openly. She stared out over Mineral Wells perched on the edge of the cupola bathed in midnight moonlight.




World Enough, And Time
ryan





Viscerally
ali

Sixteen stories of stately brick call us back to an abandoned alley for a couple quick glances tossed across the shoulder before a deft scramble over the wall with its mute NO TRESPASSING frown, running low through weed-eaten courtyards and graffiti-streaked tunnels to lie bellies flattened against the cement spine of its bridge as a siren wails its presence by. Light foot dash forward to shimmy up a column and - pause, dangerously poised, before - jumping over the teeth of a locked iron gate, to squeeze through the slip of the top of a doorway, finally boots-first through a broken window, the kaleidoscope of dismembered glass and full-length mirrors and heavily sagging ceiling shifting underneath tenderly-placed steps into the unknown dusk of what we later learn was the once-swank Brazos Club.

Layers of unbelieving understanding starting to unfold as we creep reverently on past a forest of strangely sobered arches, through dense carved doors in a segue to the soar of the lobby, its chandeliers still swinging like a first loose tooth by one frail nerve, drapes still swooned across windows slicing light into mote-thickened arcs, rugs still smooth as a lick of pomade against the span of its echoing stretch - we fling our voices out in glee and pull them back in whispered awe.

Outstretched hands and feet now feeling out the staircase, pocket knife first, up by one swirl to the lobby's upper ledge, emptied out beside the blinded eyes of iron-lidded elevator shafts dropping silently to stomach-felt depths.

Rooms petal off by function only dimly hinted at, here by a densely rust encrusted typewriter in a jumble of otherwise unidentifiable machinery, there by glass doors folding inward for all the eye like phone booths, us gingerly pushing with our toes at a pile of chairs, running our fingers through the dust icing fitted marble counter tops, casting our questions up at the globed dome of what must have been another ballroom.

With our hints we gather artifacts, typewriter keys tucked in pockets and ashtray bowls carried under arms, the crowning find a lone rocking chair of scrolled arms rolling into curled legs holding straight the perfect line of a brown upholstered back - letting ourselves out the window, histories clutched tight to the chest in a shifty gait past the pit of the pool across the naked stretch of the lawn, our car and triumph a short leap over the chainlink fence beyond. Dangling precariously along the edge of discovery when a car turns the corner, slows, windows rolling down and heads popping out flinging questions - parried to find them harmless observers, envying our bravado and eying our treasures, parting with a word of warning.

Five minutes later sliding into a dinner booth, still dusted with asbestos and exultation -

"Do you know anything about that abandoned hotel around the corner?" we ask the waitress with barely veiling innocence.

"Oh yeah. It's famous around here... people are always trying to break in, but they have someone watching it all the time. It's automatic jail time, if you get caught."

We smile, and order our drinks. In the parking lot, in the dark, a chair rocks slightly.







3 comments:

  1. This is great - I love the different ways of responding to the same thing; the imagined stories, the hint of ghosts lingering, then Ali's real-life narrative. But I think that very last line is the best.

    "We smile, and order our drinks. In the parking lot, in the dark, a chair rocks slightly."

    Just perfect.

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  2. I am ugly with jealousy over the perfection of this post.

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  3. This comment has been removed by the author.

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